Specialized in Object and Library & Archive Conservation
David Fox Nelson Scrapbook Collection
Owner: University of Delaware Manuscripts and Special Collection
Accession #: ACP 1804
Object: 5 Scrapbooks
Artist/Maker: David Fox Nelson
Object Date: 1863-1895
Dimensions: largest scrapbook binding: 32 x 25.7 x 4.9 cm
Consulted: Melissa Tedone: Lab Head for Book & Library Materials Conservation, Affiliated Associate Professor,
Winterthur/ University of Delaware Program in Art Conservation
Rebecca Johnson Melvin: Manuscripts Librarian and Curator, Joseph R. Biden, Jr., Senatorial Papers,
University of Delaware Library, Museums and Press
Lara Kaplan: Objects Conservator and Affiliated Assistant Professor, Winterthur Museum, Garden &
Library and the University of Delaware
Report Date: 05.20.2021
The collection consisted of 5 scrapbooks and I treated two of them: Volume 5 and the Unbound Volume
Treatment Images
Historical Context
David Fox Nelson:
David Fox Nelson was born into slavery in the 1850s. In the summer of 1862, at no more than twelve years of age, he escaped alone from slavery in North Carolina by making his way to a group of approaching Union troops. He was taken aboard the gunboat Chasseur, where he started work as a mess boy and eventually achieved the position of powder boy. In 1864, he left the military and became an office boy for Henry J. Raymond, one of the founders of the New York Times. He later became the office messenger and/or doorkeeper for Thomas L. James, postmaster of New York City, a position secured for him by journalist and politician Thurlow Weed in 1870. In March 1874, he was promoted to a clerkship position in the New York Post Office, and he continued to serve as a messenger at the post office in the following decades. Nelson married Cassie E. Day on May 28, 1896. Throughout his life, he maintained relationships with influential New York individuals and families.
The above biographical information is from the University of Delaware Library Manuscripts and Archival Collection Finding Aid.
Scrapbook History:
Scrapbook making developed from activities like commonplace book-keeping and grangerizing. Beginning in the early 1790’s people collected fragments of printed text referred to as scraps, scrapings, scrapiana, or scrapeana. Lithographic printing was invented in the early 19th century which made printing cheaper and faster. Small lithographic prints called “scraps” were used as item tags or part of promotional advertisements and given away. People began collecting these scraps and putting them in albums and the scrapbook was born. The word “scrapbook” making its first appearance in 1825. Scrapbooks became artifacts of popular culture as they reflected influences of the media, advertisements, and people’s everyday lives. There were types of scrapbooks as well: single purpose, single theme or topic, and single material. Single purpose as in a scrapbook for a special occasion like a wedding. Singe theme might focus on the life of one individual, similar to a biography. Single material for example would be a stamp scrapbook. People would make their own scrapbooks at home as a pass time activity, sometimes from scratch, sometimes appropriating other books (journals, ledgers, appointment books, etc.). Early scrapbook makers used their books to engage in literary discussion. Scrapbooks can be commentary on social and political issues. Scrapbooks are material culture. They are made up of tangible items crafted, edited, and utilized through time and space.
See full report for citations and sources.
Condition and Description
Volume 5:
This volume is a commercially made scrapbook. The paperboard cover boards are covered with a reddish brown coated book cloth with an embossed pattern for the overall texture and embossed decorative borders and corner flourishes. “Scrap Book” is pressed into the center of the front cover and gold stamped. The book is well loved as the covers exhibit surface dirt and use wear. The “Scrap Book” impression exhibits surface dirt over the gold stamping. The cover boards have a dark brown quarter style leather covering. The cover boards are detached, and the spine covering is lost. The quarter covering leather is deteriorating and delaminating, exposing the paperboard underneath. The pages are colored construction paper in blue, green, yellow, and purple. The first gathering is detached from the text block due to broken recessed cords. The first detached page contains losses in the top right corner, bottom left corner, and left edge. There are stains throughout likely from adhesive and potentially other substances.
Unbound Volume:
The volume is a text block of notebook style paper in fragile condition. The covers and spine are lost. The paper is brittle and yellowed. Some bifolios are torn on their folded edges. There are tears and small losses throughout but especially concentrated at the front and the back of the text block. There are three gatherings with 4 holes for sewing. There are 34 leaves. The sewing can be seen between leaves 7-8, 18-19, and 30-31. There is loose ephemera between leaves 21-22. Adhesive staining and offset staining are present throughout.
This volume is referenced as "Vol. U" in the treatment summary below.
Treatment Summary
Vol. U: Folds & Mends
I applied 1:1 ethanol and water to perform crease reduction. I used wheat starch paste (WSP) and nonwoven Asian paper to mend any tears disrupting text.
Vol. 5: Folds & Mends
I used similar methods as the 'Folds & Mends' step above. This time I used a green toned more lightweight paper for the mends.
Vol. U: Disbinding
Using a clean scalpel blade I disbound the bifolios along the center fold in preparation for encapsulation.
Vol. 5: Toning
I toned a medium weight non-woven Asian paper in order to re-attach the first leaf to the text block, and to line the text block spine.
Vol. U: Encapsulation
I encapsulated the leaves in Mylar sleeves, leaving sufficient space for the drape. I created covers then post bound the new book.
Vol. 5: Spine Repair
I used a red heavy weight western paper as a new spine. I adhered the paper into slits in the cover boards with WSP and a syringe. I lined the new spine with wester paper.